Showing Records: 61 - 80 of 6217
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As The Prophets Foretold, 1972
A cantata for Easter. For mixed chorus, solo bass, solo tenor, three trumpets in C, two trombones, and carillon 4 octaves. Score only.
ASCAP Victor Hebert Award, 2000
Both the programs for and physical awards Duffy achieved throughout his career. Duffy was sought after as a speaker and wrote many drafts of his presentations, collected here. There are also exercises and textbooks from Duffy's musical education.
Autumn; The Raindrop's Adventure, 1969
For voice(s) and keyboard. Both pieces are canons.
Auvergne, 1946
For organ.
Averitt, William, 1977 February 24-August 1
This series pertains to information about the composers. Files may include AVC questionaire, list of compositions, photos, correspondence, programs, etc.
Awake, My Soul, 1966
A two-part invention. For medium voice and piano or organ solo.
Awakening, 1962
For carillon.
Away In A Manger, 1965
SA or SAB.
Bach: Adagio, Brahms: Sonata in D (First Mvmt), Cassado: Rezuiebros, Faure: Afternoon of a Faun, undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.
Bach, J.C.: Sinfonia fur Doppelorchester Eb Major, undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.
Bach, J.S.: 371 Harmonized Chorales and 69 Chorale Melodies With Figured Bass, undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.
Bach, J.S.: Air, undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.
Bach, J.S.: Brandenburg Concerto No. 1, undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.
Bach, J.S.: Brandenburg Concerto No. 1, F Major (BWV 1046), undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.
Bach, J.S.: Brandenburg Concerto No. 2, F Major (BWV 1047), undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.
Bach, J.S.: Brandenburg Concerto No. 3, undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.
Bach, J.S.: Brandenburg Concerto No. 3, undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.
Bach, J.S.: Brandenburg Concerto No. 3, G Major, undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.
Bach, J.S.: Brandenburg Concerto No. 4, undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.
Bach, J.S.: Brandenburg Concerto No. 4, G Major (BWV 1049), undated
Russell Stanger spent much of his career conducting ensembles. His personal collection of conducting scores, with handwritten notes and, in some cases, notes from the composers, is included in this series. Also included are the reference recordings Stanger used for score study. The series has been divided into full size scores, miniature scores, and recordings and alphabetized by composer's last name.